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From Mesa Boogie:
The THROTTLE BOX EQ™ combines the enhanced tone shaping power of our popular Boogie® Five-Band Graphic Equalizer with footswitchable HI/LO performance Modes and easy “Top Panel” access to the previously internal BOOST feature of the original THROTTLE BOX™.
With the worldwide success of the THROTTLE BOX™ overdrive, we saw potential for an even more powerful version that included our classic Five-Band Graphic Equalizer. With the added shaping power the on-board Five Band EQ creates the THROTTLE BOX EQ can go anywhere you want to take it stylistically. The middle range of the GAIN control delivers tight, stinging overdrive that–depending on whether you choose LO or HI GAIN Modes–can cover everything from Blues to Modern Metal with plenty of attitude and an urgent percussive nature. Cranking things up into the upper one-third of the GAIN control in HI unleashes a hot-rod that’s blistering with searing top-end harmonics.
For Hard Rock and Metal our Graphic EQ set to the popular mid-scooped “V-Curve” has over a four decade track record of creating the heaviest sounds around. With limitless curve possibilities, the Graphic expands the potential for sonic diversity across all styles as well as being able to unleash Mayhem.
Like the original, this expanded THROTTLE BOX includes two Modes but here they are controlled by a HI/LO footswitch that enables you to have two gain regions to choose from during live performance. There are also dedicated HI LEVEL and LO LEVEL Output controls, allowing you to set the desired volume level for each Gain Mode individually. The EQ can be assigned to either or both of these Gain Mode choices so that it becomes active with the desired Gain Mode selection. In addition, we’ve fitted a MID CUT control that allows global scooping of the mids in addition to whatever you might do with the Graphic sliders. And finally, the internally selectable BOOST switch hidden under the Bottom Plate on the original THROTTLE BOX appears on this EQ version as an easily accessible Top Panel BOOST switch for extra girth and a bit of gain enhancement. We’re confident this pedal will exceed your expectations and provide an inspiring tool for expression.
? The Atlas III is a medium-gain preamp booster. While staying relatively clean and transparent, the Atlas III adds subtle color and harmonic overtones, which become more apparent as you increase gain.
Specifically created for pushing the front end of tube amps, the Atlas III was designed to do so in a rich, warm way; while adding a touch of sparkle in the highs, and never muddying up the lows. The net result is a very natural sounding gain, without over-emphasizing any specific frequency range. The Atlas III obtains this tasteful organic coloration via its discrete preamp design.
The gain control is completely useable throughout its full rotation. Plenty of gain to overdrive your amp's tubes, without melting anything (probably).
Inside of the Atlas III you will find a mini switch which allows you to select the phase of the pedal's output, in or out of phase with the input source signal. This is extremely helpful when using a multiple amp set up, and for studio situations where phase becomes an extremely important factor.
The Atlas III is completely hand-soldered and handmade in Portland Oregon to the highest degree of quality possible. These are truly artisan-crafted tone devices, sparing no detail within or without. The Atlas III utilizes true-bypass switching via the heaviest duty mechanical footswitch available, while your tone is transferred via quality open-frame Switchcraft jacks. Open one up and you’ll see an unparalleled display of craftsmanship; with immaculate hand-soldered PCB, detailed military-spec wiring, and custom Spaceman heavy-duty battery connector. On top of the USA-cast aluminum enclosure sits a durable, engraved vinyl faceplate and vintage dim-able indicator light. This pedal is truly built to last a lifetime.
The Chrome Edition Atlas III features triple-plated "show chrome", vintage Daka-Ware control knob, and heavy-duty vintage Aerospace dim-able indicator. The Copper Edition features double-plated polished copper, oxblood vintage-reissue control knob, and vintage dim-able indicator. The Light Blue Edition features a sparkle metallic light blue powder-coat, vintage-reissue control knob and vintage dim-able indicator. The Black Edition features a textured black powder-coat, vintage-reissue control knob, and vintage dim-able indicator.
Are you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine is for you. Our Moonshine Overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need.
You’ll immediately feel at home with our basic Volume, Tone, and Drive knobs, so tweak away! The simple 2-position “Proof” toggle gives you everything from low gain amp-like breakup with powerful colored boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion.
In the down position, you’ll find the highest gain settings, lots of saturation and sustain and the most mid-range goo available. In the up position are the more open and forceful crunchy tones that will make any amp beg for mercy. The up position also adds more overall volume and more headroom to those searching for cleaner applications. The tone control goes down as smooth as Grandpa’s White Lightning, with none of the harsh ice-pick characteristics that many overdrives have in the brighter settings.
Just like our SuperBolt pedal, the Moonshine uses an internal 9v to 18v charge pump that allows it to run on normal 9v but converting it internally to 18v for an enormous amount of headroom, added low-end and more overall punch.
We wouldn’t be surprised if this is the most girthy, thick overdrive you have ever plugged into. If you’re a fan of stacking overdrives, you’ll love putting this in front of or behind your favorite drive, booster, or fuzz. The Moonshine delivers on any style amp, easily producing anything from SRV classic Stratocaster/Fender amp tones with class to huge “wall of rock” The Edge-style force through a Vox. On another note, you might find a few Dumble-esque lead settings that will have you feeling like you saved a cool $100,000 in search of that sacred tone. Last but not least, it kills on bass guitar, the reason it was originally designed.
This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2"x4.3"x1.5"
The Angry Charlie has become a staple of the JHS line over the years. In the 3, we set out to keep everything that has made it a star in place while adding some tweaks for even greater flexibility and usability. The V3 is a force to be reckoned with in the high gain pedal territory. It convincingly and accurately breathes JCM800 tones with ease. Let's look at the features.
The Angry Charlie has five controls: Volume, Drive, Bass, Mids and Treble. The Volume control acts as a standard master volume control on an amplifier. Simply turn the control to the right and you are louder, turn it to the left and you are quieter. The Drive control decides the amount of overall dirt/overdrive that enters the signal path. Turn it up for more distortion and down for less. New to the V3 are the Bass, Mids, and Treble controls. To faithfully replicate a Marshall amplifier we felt it was time to incorporate a full Marshall-style tone stack. All three of these controls act as a cut and boost, while at noon they are relatively flat. The right 1/4" jack is the input, and the left is the output.
If you are a glutton for high gain overdrive/distortion that has a British flavor full of rich bass response, thick mids, and a balanced high-end response, the Angry Charlie V3 will change your life. Well, your gear life.
This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2"x4.3"x1.5".
The Jimmy Page 1970 Royal Albert Hall sound
In January 1970 Led Zeppelin hit the stage of London’s historic concert hall, Royal Albert Hall. At this performance Jimmy Page expressed himself masterfully with a broad pallet of tones and GIANT dynamic range. Of course this has a lot to do with Page’s playing technique and Gibson Les Paul. His backline amps, custom Hiwatt heads into Marshall cabinets filled the entire hall with a cornucopia of colors at levels ranging from a mouse whisper to rave ups louder than a jumbo jet taking off only inches over your head.
At Catalinbread we love the RAH performance, but we hadn’t considered the possibility of capturing it to put into a pedal… One day our friend Charlie got ahold of Catalinbread’s chief circuit designer Howard Gee to ask if we could do it. Charlie said that he’d been trying to get this tone for years and told Howard, if anybody could do it would be Catalinbread. Having proven his ability to capture the essence and experience of famous amplifiers, Howard began experimenting with what is now the RAH.
Overdrive inspired by the 1970 Royal Albert Hall performance.
Authentic 3 knob tone stack from the “Jimmy Page” Hiwatt.
Designed to give incredible dynamic response with your pick attack and your guitar’s controls.
Vintage Ampeg growl for bass and guitar.
When we originally set out on our quest to make the best Bass overdrive ever, we never imagined that it could also sound so amazing with guitar – but then we got to thinking about some of the classic late ‘60s/early ‘70s ‘Ya-Yas’ era tones and thought we should take a stab at them. And heck while we’re at it, it would be really cool if it worked for the more modern drop tuned heavy stuff too. Made sense since those tones were due in large part to guitars being played through amps designed for bass, right?
Famous Ampeg amp tones in pedal form.
Baxandall EQ controls.
» It's active Treble, Bass ,Gain and Volume controls allow for limitless tone shaping .
» The RC Booster offers a super transparent 20db+ clean boost and a +- 15db 2 band active EQ without ever compromising the integrity of the original TONE.
» It provides a solution to sound degradation, caused by long instrument cables and/or long effect chains between guitar and amp, by strengthening the original signal.» True bypass for eliminating any signal interference when switched off. Can be used with AC adaptor (optional) or 9V Battery.
» The BB Preamp offers a wide variety of sounds. It's capable of a 30dB+ clean boost with an adjustable ±15dB two band active EQ which adds a wide range of harmonic content to your ideal sound.
» The BB also utilizes a pre-gain stage which allows the Pedal to go from a very
pristine clean to a very smooth,compressed, overdriven sound.
»True bypass for eliminating any signal interference when switched off. Can be
used with AC adaptor (optional) or 9V Battery.
Pigtronix FAT Drive is an all analog tube sound overdrive. The FAT Drive’s multiple cascaded gain stages enable you to nail sounds ranging from bluesy overdrive to rich saturation, all while retaining musical dynamics and the original character of your instrument.
FAT Drive takes a futuristic analog approach to
create complex crunch tones using CMOS clipping
and a variable low pass filter for tone shaping.
Bringing the tone control all the way clockwise
takes this filter completely out of the circuit for total
transparency and robust low end. Rolling the tone
control back smooths out the highs, leaving ample
mid-range bloom and bottom end punch.
A Hi / Lo toggle switch brings additional versatility
to the FAT Drive’s wide-ranging palette of overdrive
tones, altering the gain structure for enhanced crunch
and soaring leads. The FAT Drive features true
bypass switching and runs fine on standard 9-volt
power but ships with an 18-volt adapter for superior
headroom, clarity and overall output.
The Bows is a Germanium preamp designed around a rare NOS OC139 black glass transistor. For being a little one-knobber the Bows wears many hats. Right out of the box it's got several tone shaping abilities spread between two modes: Full and Treble. Full mode is warm with a lot of body and low end. Treble mode is a resonant, treble booster with a “cocked wah” tone that can drive any tube amp into harmonic rich distortion territory. Each mode has a little bit of grit to start with, but as you get passed 12 o'clock on either setting their subtleties are accented. The vowel-like sound out of the Treble side will be more prevalent as you bring the Level up. Doing the same on Full mode will get you a nice, full bodied crunch tone that retains clarity. Place any drive pedal before the Bows and it's another story. Full mode turns a dirt signal into a crumbling wall of sonic chaos, while Treble mode becomes an ultimate lead tone. Each and every Bows is built one at a time by real life human beans in the temperature controlled bubble of Akron, Ohio.
This device is true bypass and uses relay based “soft touch” switching. Audio will not pass without power.
Level: Adjusts the output level by setting the bias voltage of the transistor. A small amount of noise while dialing this in is perfectly normal.
Tone Toggle: “Treble” for a brighter, more resonant tone and “Full” for a warmer, bass-heavy push.
Power: Please use a standard 9 volt DC power supply intended for musical instruments with
a negative center 2.1mm barrel or a 9v Battery
Current Draw: 9ma
The MF Boost is an Expression enhanced, twin topology boost pedal that allows you to select between an articulate VCA signal path and a colored OTA signal path. This completely unique boost design works with your guitar and amplifier to conjure boutique sound and responsiveness from any guitar/amplifier combination. Its natural compression and sound enhancement also bring out the best tone and performance in other effects pedals. When paired with an expression pedal, the MF Boost can be used as a tone enhancing volume pedal or sweepable-gain boost pedal. The expression pedal input also provides access to higher gain values not available on the panel.
GAIN- Sets the input gain from off to maximum. With the Boost switch in the down position (VCA mode), this knob should be set to maximum. In this setting you will notice tighter bottom, focused midrange, and a more open top end. With Boost in the up position (clipped OTA mode), the sound is creamy and lightly compressed with a slightly more forward midrange.
BOOST - In the down position, signal is sent through the VCA signal path providing clean, articulate tonal enhancement with a subtle 6dB boost (12dB+ w/ expression). This setting feels and sounds like a boutique amp in a pedal. With the switch in the up position, signal is sent through the clipped OTA path providing 12dB of boost (18dB+ w/ expression). This path has a creamy, classic tone that bonds guitar and amplifier for everything from subtle bite and drive to singing leads. Both settings have a naturally occurring musical compression.
TONE- At higher settings this control adds openness, note articulation and picking detail. In this setting the top-end in your amplifier is sweetened while remaining smooth, the mids become focused, and the bottom end appears more robust and tight. At lower settings the Tone control can be used to fatten up an amp or tame harsh top-end.
LEVEL- Level allows you to trim the output of the Boost while maintaining input gain coloration. This control does not go completely off.
EXPRESSION PEDAL INPUT - This input is assigned to Gain. With Gain set to minimum, an expression pedal can be used as a volume pedal. At the mid setting in clipped OTA mode, the expression pedal allows you to swell in and out boost levels musically. At maximum, use an expression pedal to add input Gain not available on the panel of your MF Boost and overdrive your amp.
• Articulate tone enhancement tool that you leave engaged
• Two selectable signal paths with natural compression
• Transparent tone circuit adds articulation, Nashville cluck, or removes harshness
• Can be used as a clean boost pedal, a dirty boost pedal AND a volume pedal
• Expression pedal adds gain past the panel setting
• True Bypass
• Designed to perform with any Guitar, Amp, or Bass guitar configuration
The Pigtronix Class A Boost will fatten up and boost anything you feed it. Our deceptively simple design uses discreet transistors in a single-ended “Class A” configuration to achieve the warmest possible tone. This remarkable preamp can deliver up to 20db of clean boost and remains effective with both instrument and line level signals.
Superior signal to noise performance allows you to put the Class A Boost anywhere in your pedal chain. It can add punch and extra output to a classic overdrive sound and is able to push distortion pedals into extremely aggressive crunch land. Class A Boost is also ideal for hitting the front end of a tube amp to achieve an added layer of sweetness and fat tone.
This pedal runs fine on 9 volts but ships with an 18 volt adapter for superior headroom and maximum punch. Make your sound 1 louder with this handsomely dressed, J-FET masterpiece from Pigtronix
» What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a discrete FET design and low impedance output, the EP Booster provides up to +20dB of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. The internal DIP switches let you choose the boost frequencies, and EQ settings.
» A simple pure boost that pays reverence to the magical EP-3 and captures the celebrated tones of the world's most famous players. The EP-Booster,great tone starts here!
» True bypass for eliminating any signal interference when switched off. Can be used with AC adaptor at 9v or 18v or 9V Battery.
Next up in the MXR Custom Badass line is the Modified Overdrive—a classic overdrive circuit with modern modifications for improved performance and versatility.
For added flexibility, we’ve added a 100HZ cut and boost control that allows for a more focused EQ when cut, or a beefier tone when boosted. The Bump switch engages an alternate EQ voicing that boosts the lows and mids. Put it in front of the '78 Custom Badass Distortion for a slew of amp-like gain structures that won't mask your tone.
Experience overdrive nirvana courtesy of the MXR Custom Badass team.
“My tone has never been better, and I ain't just sayin that. That Badass Overdrive is THE BEST distortion tone I’ve ever had. Its amazing!”
- Nashville session ace Chuck Ward.
This is an Ibanez Tube Screamer Mini, brand new, with original box.
Ibanez knows your pedalboard real estate is valuable. Here’s a Tube Screamer made to help you manage that hallowed ground. Same legendary pedal. Same legendary tone.
• Controls: Overdrive, Tone and Level
•100% Analog Circuitry
•True Bypass Switching
•Made in Japan
•Dimensions: 1.375"W x 3.5"L x 1.625"H