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With the ‘Mix’ control at maximum it’s a distortion-leaning *gated* fuzz. With the ‘Mix’ at minimum it becomes more of a ‘harmonic enhancer”. With mix between roughly 5-15% it becomes a parallel clean/overdrive. At 16%-40% it sounds more like a distortion with a touch of clean tone mixed in. Beyond 40% it's fuzz with a touch of clean up to full-on distortiony fuzz. The ‘Clean Filter’ control adjusts how much treble/upper midrange of the clean signal is available to be mixed with the distorted. At minimum, it barely attenuates anything within the human-audible frequency range; at maximum it’s attenuating everything above (frequency) at a rate of 8dB/octave or 20dB /decade. (It’s a single order filter, which offers a gentle, but highly effective attenuation slope). The ‘Gain’ control offers surprises- depending on what you’re running through the circuit it has a tendency to overload itself when an energetic signal is run through and can cause awkward/hard to repeat glitches of the sound.